Showing posts with label science. Show all posts
Showing posts with label science. Show all posts

Friday, June 11, 2021

Imaginary Friends of Geology

Painting by Alexander Craig during the British Association meeting in Glasgow in 1840 when Lyell was 43 years old.
Charles Lyell, by Alexander Craig in 1840 when Lyell was 43 years old.
I’m always on the lookout for new “imaginary friends of science” and periodically I ask for suggestions. My series is made of the charismatic metaphors and thought experiments through the history of science. “Imaginary friend” is a bit tongue-in-cheek but my series includes Schrödinger’s cat, Maxwell’s Demon, Laplace’s Demon, Descartes’ Demon, Russell’s Teapot, Occam’s Razor, the Spherical Cow and Hilbert’s Grand Hotel. My series is skewed towards physics (with some math and philosophy) because that’s my background. I ask for suggestions and biologists just look quizzical but I suspect other fields do this too. It's not an obvious thing to research since this is not really a recognized category of metaphor/thought-experiment, and I coined the term "imaginary friend of science" but you sort of know one when you meet them. Tell me your favourites!

Maxwell's, Laplace's and Descartes' Demons

Recently I got a suggestion from geology for my ‘imaginary friends of science’ series (hat tip to Greg Priest). This imaginary friend is a bit obscure but fits perfectly. Early geologist Charles Lyell (1797-1875), in his famous ‘Principles of Geology’ wrote that to avoid some sources of prejudice in understanding geology would require an Amphibious Being, who could, say, compare processes happening today on land and those happening today below water with what we see in the geological record. Likewise the Amphibious Being would be better able to identify fossils, being familiar with life on land and in the sea. He wrote,

It should, therefore, be remembered, that the task imposed on those who study the earth's history requires no ordinary share of discretion; for we are precluded from collating the corresponding parts of the system of things as it exists now, and as it existed at former periods. If we were inhabitants of another element—if the great ocean were our domain, instead of the narrow limits of the land, our difficulties would be considerably lessened; while, on the other hand, there can be little doubt, although the reader may, perhaps, smile at the bare suggestion of such an idea, that an amphibious being, who should possess our faculties, would still more easily arrive at sound theoretical opinions in geology, since he might behold, on the one hand, the decomposition of rocks in the atmosphere, or the transportation of matter by running water; and, on the other, examine the deposition of sediment in the sea, and the imbedding of animal and vegetable remains in new strata. He might ascertain, by direct observation, the action of a mountain torrent, as well as of a marine current; might compare the products of volcanoes poured out upon the land with those ejected beneath the waters; and might mark, on the one hand, the growth of the forest, and, on the other, that of the coral reef. 

-Charles Lyell, 'Principles of Geology' 9th ed. 1853

James Hutton during fieldwork, by John Kay

He actually goes on to further propose other biases could be avoided only if one could live also in the subterranean world, and hence, a further imaginary friend, "some "dusky melancholy sprite," like Umbriel, who could "flit on sooty pinions to the central earth," but who was never permitted to "sully the fair face of light," and emerge into the regions of water and of air" but such a sprite would have biases due to his lack of access to life on land or in the sea! Here I'm just going to consider the Amphibious Being. 

 

 

 

 

 

 

The Geologist - Carl Spitzweg, circa 1860
The Geologist - Carl Spitzweg, circa 1860
While far less well-known than say, Maxwell's Demon or Schroedinger's Cat, the Amphibious Being absolutely performs the same purpose. He's a figment of Lyell's imagination who serves to elucidate and explore a problem in science. The Amphibious Being highlights the possibility that our conclusions about the origins of rocks or fossils  are biased since we only live on land, the same way Maxwell's Demon explores the mysterious nature of the Second Law of Thermodynamics or Schroedinger's Cat exposes the strangeness of the probabilistic nature of quantum mechanics and what that would mean if we saw it in the every day world of large things like well, cats, rather than the subatomic scale. So I plan to add the Amphibious Being to my collection.

Rise of Mr. de Saussure to the summit of Mont Blanc, aquarellée engraving of Christian of Mechel (1737- 1817).

Professor Owen, by Frederick Watty in Cartoon Portraits and Biographical Sketches of Men of the Day (1873)

My question is, what would such an Amphibious Being look like? I made my Demons (Maxwell's, Laplace's and Descartes') ressemble those who introduced them with some additional features like horns. There are a lot of images of Lyell at various ages. He is always wearing a suit, with a magnifying glass or monocle on a chain around his neck.  There are sadly no images of him in the field. I tried to find some images of early geologists or Victorian geologists in particular. It's easy to find depictions of James Hutton (1726-1797) in the field, but not Lyell. Even searching for Victorian geologists in general proved hard. The vast majority of paintings or later photographs show middle class men in suits at home. There are some hilariously heroic posed images of geologists with hammers looking like Classical heroes. I was pleased so see images of Mary Anning, Alice Wilson and other trail-blazing women in geology come up in my search. The Rise of Mr. de Saussure to the summit of Mont Blanc, an aquarellée engraving of Christian of Mechel (1737- 1817), shows that geologists of Lyell's time did in fact where suits in the field, and some of the simple tools they employed: walking sticks, rakes, shovels and packs of supplies. There are also a number of photographs of somewhat scruffier Gold Rush geologists in California or the Yukon. Along with simple tools, geological hammers, magnifying glasses, and collecting bags are common. I wondered also about Victorian caricatures? I have seen cariactures of various well-known historical scientists (even if scientists seem to rarely be the sort of recognizable public figure to appear in cartoons today). So I looked up cariatures of Charles Lyell and was not disappointed.

The caricature by De la Beches of Charles Lyell as Prof. Ichthyosaurus on the pages of Francis Trevelyan Buckland (Son of William B.). "Curiosities of Natural History".
'Awful Changes' - Caricature of Charles Lyell as Prof. Ichthyosaurus, by geologist Henry De la Beche (1796 -1855) on the pages of Francis Trevelyan Buckland (Son of William B.). "Curiosities of Natural History".



Ichthyosaurus caricature published in 1885 in the Punch magazine. The discovery of ichthyosaurus fossils lead to interest in reportings of sea monsters, including for Charles Lyell who wanted to support his idea that animals did not become extict, only rare. He wisely did not include this idea in his geology textbook. (via History of Geology)


The Professor Ichthyosaurus, though an actual, contemporary and amusing cariature of Lyell as a being, which in the cartoon at least, appears amphibious, isn't quite what I want. The itchyosaurus was a marine reptile, not an amphibian. The lecture setting does not suggest fieldwork, nor any greater insight into geology because of its amphibious nature. 

Henry de la Beche, incidentally, famously painted the first paleoart scene, Duria Antiquior, based largely on his friend Mary Anning's findings and he sold lithographic prints of his painting to raise funds to help support her. I thought of him as more modern and kind, in his loyalty and friendship with Mary Anning, a paleontologist who was largely excluded due to her sex, class and religion. But in researching this my opinion of him fell. While he understood slavery was an abomination, since his own income depended on an enheirtance of a sugar plantation in Jamaica worked by enslaved people, he (guiltily) opposed abolition in favour of in favour of gradual change. 'This is wrong but let's not be too hasty' is not an ethical stance.


Duria Antiquior – A more Ancient Dorset is a watercolour painted in 1830 by the geologist Henry De la Beche


And what about the all-important "amphibious" part of my Amphibious Being? My first thought was salmanders. I love the look of gill-stalks and perhaps they suggested Lyell's substantial sideburns. I find the axolotl looks quite anthropomorphic as it is (as reflected in Julio Cortazar's short story, Axolotl).  The axolotl is of course limited in range to Mexico, and though other salamanders go through a larval stage with gill-stalks, this didn't feel quite right or in any way an allusion to Lyell. My next thought was to look at Victorian cariatures of anthropomorphic frogs, which (for reasons I don't entirely understand) was very much a thing. Frog men cariatures and Christmas cards and other illustrations, sometimes to satirize society are pretty common, so I thought that was just the thing.





I am now sketching a Victorian frog-man geologist for my next Imaginary Friends of Science print!

Thursday, January 14, 2021

Tea Pots and Other Recent Prints

 

Green Tea Chemistry print
                                            Green Tea Chemistry linocut by Ele Willoughby


I thought I should add a tea chemistry linocut to go with the coffee linocut, which includes the caffeine molecule. Of course, tea chemistry is quite complex! I asked on Twitter, thinking I might have some tea loving scientist followers with good suggestions and I wasn't disappointed. Not only was I given some good feedback about which chemicals to feature, but also the suggestion of including the chromotography, as a means of telling the fuller chemical story.

There's a tea pot, two cups of tea and a tea plant (Camellia sinensis) on a tray, and in the steam, you can see some of the organic chemicals found in green tea. Up to 27% of the composition of green tea can be a member of the flavonoids called catechins like the molecule illustrated on the right. The stimulating effect of green tea is of course related to caffeine (the molecule in the middle) but, unlike say coffee, green tea also has an amino acid in tea called L-Theanine (the molecule on within the tea pot handle). L-Theanine has a direct effect on the brain, relaxing it without making you drowsy and can help with focus and mood; it's also largely responsible for taste. Since the chemistry of green tea is complex, and I can't show all the molecules involved, at the base of the tray is a chromatogram to illustate the L-Theanine (largest peak) and other amino acids in the green tea. 

With tea and teapots on the brain, I started thinking about a suggestion for another "imaginary friend" of science (my collection of charismatic thought experiments like Maxwell's Demon or Schroedinger's cat): Russell's Teapot. 


 Russell's Teapot
by Ele Willoughby

The alledged china teapot, in orbit between Earth and Mars is an analogy by philosopher Bertrand Russell (1872–1970) to make the case that the philosophic burden of proof lies upon a person making unfalsifiable claims, rather than shifting the burden of disproof to others. The print is made by hand on lovely 8" x 9" (20.3 cm x 22.9 cm) Japanese Obonai paper with a feathery sheen.

The Earth appears in blue in the corner. The China teapot itself has a blue flower pattern, and is shown magnified. Mars is in red with two tiny moons. At the bottom are the symbols for the solar system: Sun, Mercury, Venus, Earth, and the extra teapot, Mars, Jupiter, Saturn, Uranus and Neptune.

 

I also made a couple of Snowy Owl light boxes, which include my snowy owl linocut and colour changing LEDs to simulate the aurora.

While, we've been on a lockdown here in Toronto, and the schools are closed, so I'm spending a lot of time every day fascillitating online school for my 7 year old, I have also been trying to do all of the Printer Solstice prompts (one a week since the winter solstice).


Humpback linocut for prompt "under pressure".




A New Hope linocut schematically shows how mRNA vaccines against COVID-19, train the body to make spike protein, which our immune system then learns to combat.
 

Blep linocut, for "in good taste" is thinking creatively about taste and tongues. 


Europa Express linocut for the prompt "passport"

Wednesday, March 20, 2019

Contemporary Renaissance Woman

Yesterday I gave a talk about my experience as an astronaut candidate for the Canadian Space Agency at Albert Campbell Library in Scarborough. Today, I'm in the Star. Online, it's 'Would-be astronaut is artist on the side, and one of a million Canadians with a side hustle.' In the print edition, it's in the Life section and called 'What drives the side hustle?' Here's what they had to say about me:

Ele Willoughby is a marine geophysicist who has a burgeoning art print business called Minouette on Etsy Canada. It’s a combination that suits her, and one she’s flexible to changing up. At the moment she is focusing on her art and is working on a book of portraits of female scientists and the stories behind their work.
“I was actually one of the astronaut candidates for the Canadian Space Agency in their recent search for an astronaut,” says Willoughby. “I’m still open to switching the balance, and being more of a scientist, and doing art on the side.”
If you're one of the people who attended my talk, thank you very much for coming out! It was lovely to speak with you and great to see there was interest from such a range of different ages of people. If you're interested in hearing my talk, you can catch it next at:

Tuesday April 2 at 6:30  pm
Coxwell/Danforth Branch
1675 Danforth Avenue
Toronto, ON M4C 5P2 

I continue to pursue the weirdest business card title combination, but basically I want to do the things that I love best and fill the world with more art and more science.

Sunday, December 30, 2018

Looking back at my art and science 2019

Antoine et Marie-Anne Paulze Lavoisier,
linocut with collaged washi,
2018 by Ele Willoughby
This year started with the end of our tenure running the Toronto Etsy Street Team gallery. Though this meant a great deal less time curating shows, I did make a move to show my art more in gallery shows, and sell through galleries and shops and less selling in person. Early in the year, I decided I would not participate in the One of a Kind Christmas Show. Selling art in person is tough to do; it's hard on your body to stand for long hours, fine art can be a harder sell than handmade goods which serve more than just an aesthetic purpose, and retailing anything can be gruelling - perhaps more so if it is your own creation. But, I am quite pleased that I did participate in a large number of artshows, a sold art in a variety of cities this year.

The first show for me this year was The Tarot Lovers: Works of Heart exhibition, which showed (and sold) at the Wellington County Museum and Archives. Curated by Shelley Carter, this show is one in a series she has organized with themes based on Tarot cards. I enjoyed the challenge of mixing those concepts with my ongoing works about the history of science, as an excuse to highlight the loving partnership of Antoine Lavoisier (26 August 1743 – 8 May 1794) and his wife Marie-Anne Paulze Lavoisier (20 January 1758 – 10 February 1836). Lavoisier is often referred to as the 'father' of modern chemistry, without any reference to his wife, and yet, as their official illustrator, she shows herself participating in his experiments and her skills as technical scientific translator allowed him to be up-to-date with chemistry across the Channel.

The next exhibit for which I submitted work was also an exchange of multiples: The Matchbook Project Cabinet of Curiosities.
 The works, along with my previously exhibited 'Imaginary Menagerie' prints were exhibited at Balzac's upstairs gallery for the Curious Fauna show in the fall, and I got my very own wunderkammer of beautiful and very varied artist-made matchboxes on the theme of cabinets of curiosities. This delightful project was curated and created by Hearyung Kim and Natalie Draz (whom I know from PROOF Studio Gallery).

In March I took part in Graven Feather's 'What the Fukushini' exhibit, submitting a version of my pink fairy armadillo linocut with collaged washi papers. This show, in partnership with The Paper Place, had artists make works on or with a specific washi paper. There was a great and delightful variety of works.


 
 Pink fairy armadillo, 11" x 13", 
multimedia by Ele Willoughby, 2018 (sold)



The most significant creation of new work for an exhibit was my five new portraits of Canadian women in STEM which were part of Curiosty Collider's show Interstitial: Science Innovations by Canadian Women, along with two other artists, this June in Vancouver! Interstitial was curated by Larissa Blokhuis, who makes gorgeous natural history inspired works, mainly in glass. I had previously made Ursula Franklin's portrait for the Phylo Project from Dave Ng and the Advanced Molecular Biology Laboratory (the science education facility within the Michael Smith Laboratories, UBC): a trading card game about Women in Science and Engineering! I added geologist Alice Wilson, physicist Harriet Brooks, computer scientist Trixie Worsley, medical researcher and biochemist Maud Menten and geneticist and Down syndrome expert Irene Ayako Uchida. Of these new five, I had only previously known Menten, despite having worked at the Geological Survey of Canada (like Wilson), being an alumni of U of T where Worsley had taught physics and computing and being a physicist by training (like Brooks). I was very glad to become involved with a great science/art organization and take part in this exhibit. Some artwork sold and many others in these editions have since - and it caused me to do some research specically on the history of Canadian women in STEM. This was revealing in and of itself, and I also gained some useful insights into how to find great stories about underappreciated women scientists.


Redbud and the Bees, 18" x 24",
linocut with collaged washi papers by Ele Willoughby, 2018
I made 'Redbud and the Bees' for  Creature Conserve  a non-profit outreach organization which brings artists and scientists together to "foster sustained and informed support for animal conservation," and their show Urban Wildlife: Learning to Co-exist. I remembered the urbanredbud citizen science project here in Toronto. Local U of T doctoral candidate Charlotte de Keyzer is working with the public to gather data on flowering times of Eastern redbud trees (Cercis canadensis) and their pollinators using bee nest boxes and traps. She made the suggestion of highlighting how the redbuds are moving into Toronto due to climate change and gardiners, and though popular with our local bees, they also attract a less popular new species the Eastern carpenter bee, who drill holes in wood to build nests. (Because the world is very small, it turns out de Keyser is the sister-in-law of my friend Laura Watt who you may know from Cubits). This show was curated by Creature Conserve founder, artist and scientist Lucy Spelman. It has been shown at the Rhode Island School of Design (RISD) in July, and ArtProv Gallery in Rhode Island in September. This year, the exhibit will travel to other galleries in the US. Stay tuned for more details and chances to see these works!

This August, the Ontario Science Centre (OSC) staged an exhibit called 'Quantum' about the history of quatum mechanics. My friends at The Maker Bean (where you can now find my art, at both their Bloor and Dufferin and OSC locations) asked if I had an artwork about quatum mechanics. Indeed I do! So my portraits of physicists Bohr, Meitner, Roentgen, Wu and Curie, as well as Schroedinger's Cat, have all been on display at the OSC since then!

Me, at sea and two of my space-related prints:
my portraits of astronaut Mae Jemison and
Space Race engineer and mathematician Mary Golda Ross
This October, I was invited to give a talk as part of Science Literacy Week about my experience being an astronaut candidate for the Canadian Space Agency. Since astronauts are both scientists and science communicators, I took this as an opportunity to talk about both my research and sciart, together for the first time. I spoke at an event called "Space Mythbusters" at Gerstein Library along with a couple of other scientists. I told them what the astronaut selection process was really like and a bit about the mission that Canadian astronaut David Saint-Jacques has now begun, onboard the International Space Station. I also gave a version of this talk to a Boy Scout troup and am planning to do so at a couple of Toronto Public Libraries in 2019. Jesse Hildebrand spearheads Science Literacy Week, and he invited me to submit a proposal for Story Collider, a science-themed storyteller series and podcast. He hosts the Toronto series along with Misha Gajewski. So, I'm going to be doing that too, very early in the new year! Catch me on January 14th.

Eastern carpenter bee multimedia (sold)
Once again, I participated in Graven Feather's In the Round Show, this year hosted at PROOF Studio Gallery in the Distillery. I made a couple of round multimedia works based on my new bee and redbud lino blocks and one on the pink fairy armadillo. Like other years, I also participated in and helped organize the Toronto Etsy Street Team shows, including the Summer Market (or, this year, our first Etsy: Made in Canada Spring Show), Etsy: Made in Canada in September and our TEST Christmas Market, less than a week ago.  I also participated in Peggy Muddles' Scienterrific Pop-up at Tosca Terran's new Co:Lab space - in the same gallery where we had our year-long TEST Gallery pop-up! Likewise, I participated in Graven Feather's Holiday Market too. I was very pleased to also send off a selection of women scientist prints to Anthology boutique in Madison, Wisconsin.







Santiago Ramón y Cajal, linocut, 12" x 12" by Ele Willoughby, 2018
As well as all these shows and works created with specific shows in mind, I also added to my on-going collection of scientist portraits with neuroscientist and artist in his own right, Santiago Ramón y Cajal (1852 - 1934), 17th century scientist and scifi author Margaret Cavendish, ancient Egyptian court physician Merit Ptah (arguably the earliest recorded woman in science), pharmaceutical chemist Alice Ball (who made the first effective treatment for leprosy), mathematician and Space Race engineer Mary Golda Ross, and mathematician Emmy Noether. All of these involved research and writing on my part too. I also managed to complete my long-awaited chair reuphostery personal project, with involved printmaking, patchwork, applique and embroidery.

On a personal front, we managed to also sneak in trips to Sault Ste Marie for my family reunion and out to New Brunswick to see my husband's family. Amazingly, our - now five year old son - has been raised to be a good little traveller, and we managed to do this by car! My husband has some new, hard-won job security. Our son started French immersion in senior kindergarter this year. All of this is good.

When I looked back I see that in fact, a lot happened this year, and while it sort of feels sometimes that I have never accomplished enough, I have done rather a lot. I know that this year will bring more art shows, already in the planning and several more speaking engagements. I have several collections I am continuing to build and I would like to do more varied multimedia work. It isn't always straightforward to navigate a path as self-employed modern day Renaissance woman, but I think (I hope) that I'm on the right patch to carve out my own place at the intersection of art and science.

Tuesday, January 9, 2018

Looking back at 2017: science, art and life

Wunderkammer, interactive multimedia: linocut, collage, wooden box, electronics, sound files, 2017 by Ele Willoughby
With the new year, like many, I often like to look back. I find sometimes you don't see things accumulate or note acheivements. So, briefly, on a personal front, 2017 was a very interesting year. It was challenging, but over all, I'm quite proud. On one hand it's funny to start off talking about the acheivement of being in the running for a job I didn't get, but astronaut is no ordinary job. I was proud that I even had the guts to submit my application in the summer of 2016 for the Canadian Space Agency's job search. Each step of the year-long search, as I continued to advance I was a strange mixture of astonished yet confident that after all, it was something I could learn to do if selected. So I was very proud to be  one of the top 72 people selected from 3772 initial applicants, who were invited to the Astronaut Recruitment Assessment Centre! It was a unique experience; 3 and half days of gruelling mental, psychological and physical assessment, along with a very impressive and fascinating cohort of fellow applicants (only a third of whom were women). I've had so many questions and comments from people since this experience that I didn't expect. People I just met told me they were proud. Parents told me that they followed my progress with their kids, or asked me advice about how to encourage the next generation of potential astronauts. I wouldn't have imagined that even making it that far in their job search could impact people, but I'm humbled that it did and thank you all for your kindness, encouragement and support.

Another new experience this year was running an art gallery! I'm so glad that Emma talked me into taking on the Toronto Etsy Street Team Gallery, because truth is, I think I would have shied away from the financial risk. But it was a great experience and I'm proud of what we pulled off. I curated my first show, Wunderkammer, with a wonderful collection - a cabinet of curiosity in fact, of science art from some favourite and new-to-me artists. I went on to curate and organize shows about Canada, help foster Rebecca Vaughan curate and participate in Love Your Body, curate and participate in a Mesozoic themed the Dinovember show. I was also really pleased to take part in Tosca Terran's UnNatural History show at the gallery, where I showed my entire unnatural print collection.

2017 also some some great collaborations. WWEST's Phylo Women in STEM trading cards came out this spring. Definitely my favourite commission of 2016, was making and submitting five of my portraits of women. I have previously submitted some art for UBC's Dave Ng's earlier project to use trading cards as a natural historian's version of Pokemon. This latest set brings attention to women in science and technology, throughout history, and the hurdles facing women and under-represented groups. He told me he had seen my blog post about the death of physicist, material scientist and archeometry pioneer Ursula Franklin and it encouraged him to include her, as a great scientist, role model and Canadian. As you can see (above), I've also illustrated marine geologist Marie Tharp, physicist Lise Meitner, seismologist Inge Lehmann and proto-computer scientist Ada Lovelace. The sets are available from Phylo and you are even free to download and print your own! 

Because life is odd, the day after I learned that I did not advance to the top 32 astronaut candidates, Anthropologie approached me about collaborating on tee shirts. They loved my 'terms of venery' series of group nouns for animals.  They licensed two of my existing prints, 'An Ostentation of Peacocks' and 'A Kaleidoscope of Butterflies' and commissioned a third work. They wanted my portrait of my beloved, late, great Minouette the cat, but wanted it to fit in the venery series. While a group of cats is often known as a clowder, I remembered that it can also be called a glaring, and I thought that was a perfect combination for her fierce "Stop carving lino and feed me now!" look. I was very excited to work with one of my favourite clothing stores and it was a lovely experience to work with them. I was gratified that they wanted artwork that I had made simply because I wanted to.

 2017 also saw my home, studio and peculiar combination of jobs and interests as the subject of this Toronto Star article. I participated in another Bees (& the Birds) show. I did all the Toronto Etsy Street Team craft shows: the Midsummer Market, Etsy Made in Canada (where I enjoyed playing second fiddle for the first time) and the Christmas Maket. I sold at the One of a Kind Christmas show once again. I had artwork selected for the Leftovers VI Silent Auction, in Boise, Idaho, and 'Life as we knew it' and 'LUNAR' art shows at Art.Science.Gallery in Austin, Texas.

On the home front, our son turned four at the end of November, which means that he was able to start kindergarten in September. This is a big shift and I'm still getting used to it. He's now at school 6 hours a day, which frees me up to have much more freedom and control of my time and schedule and he loves it and is flourishing!

I love most of all that this list is very mixed: art, science, family life, and I'm keeping people guessing. When I was young I thought I had to choose, but I think in 2017 I did a good job of not choosing and being as much of a Renaissance woman as I can. I'm rather enjoying not having to define myself one way. This year once again promises new things and I'm looking forward to seeing what it brings.


Friday, February 10, 2017

Playing catch-up: Shows, SciArtist at home, Gallery & Astronaut recruitment

Life has been extremely busy of late and I haven't had any time to update my blog, so I'm planning to make a big post about everything. You've been warned. I've opted for chronological, rather than any other sort of ranking, since I know how to do that.



I did the full One of a Kind show this year. It was a busy, exhausting time! Thank you very much to everyone who stopped by to see me, purchased art and my fabulous friends and colleagues for all your great company and support! I have the greatest customers. I love that I sold art to the parents of burgeoning scientists, neuroscientists, geologists, paleontologists, historians, and all sorts of other fascinating people. And an extra special thank you to those who allowed it to happen; my husband and Dad the booth builder and installation team, my mom the chief babysitter, my trusty assistants Becca and Karla, volunteer sales help and excellent company Peggy and Carrie, carpooling friends Leslie and Queenie, entertainment and bingo queen Emma.

We had a nice Christmas here in Toronto with family.


First big announcement of 2017: the Toronto Etsy Street Team has a brick and mortar incarnation for the year. While our team mate, printmaker and friend Pam of Graven Feather gallery takes mat leave, we will be subleasing her gallery for the year! We'll be hosting art shows, pop-up markets, trunk shows, workshops and more all year long. We started with a launch paerty and mini show from team leaders on January 28th. You can still find my art at our 906 Queen St W location and stay tuned for more of our exciting plans (including my plans to curate a SciArt show this spring)! My friend Emma is taking the lead on this project and I'm glad that she has the gumption to convince me that we should do it!


My home, studio and peculiar combination of jobs and interests were the subject of this Toronto Star article. It's part of their series on people who work from home. It was pleasure speaking with them about my blend of art and science. Roger's rocking horse and hand built furniture for Gabriel were also a hit. (Geoscientists will recognize that 'general physics' should read geophysics, but it's a nice little article).

Reflections by Ele Willoughby. Linoleum block print with chine collé / 2017 / 8 x 15 in. / $180 (SOLD). On view in our LUNAR exhibit for @Printaustin through February 18th. This print stems from my experience of working at sea, where in the absence of light pollution, celestial bodies like our moon and even planets, cast bright reflections as far as the eye can see. Moonlight in turn, consists of reflections of sunlight (with some starlight and some earthlight reflected back at us). So the light on the ocean is reflections upon reflections. #art #science #sciart #exhibition #gallery #instadaily #science #artoftheday #graphic #fineart #instaart #atx #texas #art #artwork #moon #artistic #design #artnews #artshow #blockprint #instagood #illustrator #artist #creative #astronomy #visual #austin #printmaking #printaustin
A photo posted by Art.Science.Gallery. (@artsciencegallery) on


I am very happy to have a print in Art.Science.Gallery's show LUNAR, their official entry in PRINT Austin for 2017. If you're in Austin, you can still catch the show until February 18th. I'm also very happy to learn that their crowdfunding efforts were successful and the gallery will remain open for 2017.

Last, but definitely not least, a few of you will know, but last summer I applied to be an astronaut! Selecting Canada's next two astronauts is a year long process. I'm very proud to say that I am one of 72 people still in the running from 3772 initial applicants! There's a lot of testing still to go before they make their selections by August but it's very cool to be part of this amazing group of people. From this incredible talent pool they will have to narrow it down to two new astronauts.




If you want to find out what I'm up to in closer to real-time, I recommend following me on twitter and instagram.


Friday, May 30, 2014

Yesterday, in history

quebec 518 I meant to post his yesterday, but I ran out of time.

In the early morning fog of 29 May 1914, the ocean liner RMS Empress of Ireland was steaming down the St. Lawrence on its return trip to England, just offshore Rimouski, Quebec, when it collided with the Norwegian collier SS Storstad, or more precisely, when the Storstad collided with her (though there is evidence to suggest both Captains made errors of judgement). Both Captains should have known to maintain their headings due to the dense fog - both, it seems did not. Of the 1,477 persons on board the ship, 1,012 died, making this the largest of any Canadian maritime accident in peacetime, and second only to the the sinking of the Titanic at the time - though now something largely forgotten by most Canadians. The Storstad did not sink.

quebec 517The immense lost of life was not a failure to provide lifeboats or a design failure like the Titanic, but a combination of where she was struck, a failure to close watertight doors and the fact that so many pothole windows were left open to try and air out staterooms, despite maritime regulations requiring them to be shut once the vessel left port. The ship went down rapidly.

quebec 526While doing fieldwork sailing to and from Rimouski in 2010, we allowed another research group some shiptime to test their multibeam bathymetric system. The RMS Empress of Ireland make a logical target in just 40 m of water. Seeing the undisturbed wreck apear on the screens in the lab was really a fascinating experience.

On the surface, there was nothing to see but river and fog, and the one buoy to warn of a shallow obstruction. Below, clear as day on all our screens were bright reflections on the depth sounder and multibeam screens, indicating hard surfaces. It was so unusual to see straight lines, and in fact, the clear outline of a ship, despite the near century of sediment build up, decay, and any incursion of life. Most of what we see has the organic, smooth lines of naturally formed and eroded geology. Even when we do see human-made objects (like our own equipment), it's never so large that you can read its very shape. It was haunting to see the clear outline of the Empress, silently lying on the seabed.

quebec 529 The St. Lawrence is deceptive. In French, we have the word Fleuve to better describe this mighty river which drains into the sea. We do say 'seaway' in English... but river is insufficient. While sometimes calm, the waters are brakish, the tides surprisingly large and the currents stronger than you would imagine for a protected river. I certainly made sure my porthole window was shut. But, a cruise liner is filled with passengers with little to no experience of being at sea. In the dense fog as we surveyed, it was easy to imagine the chaos, especially in the early morning dark. Many passengers may not even have awoken. The story of the sinking, and subsequent inquiry makes for some dramatic and in fact scandalous reading.

The crew of our vessel viewed the ship somewhat solemnly, not so much because they felt the connection to events of a century previous, but because more recently, the wreck itself had claimed more lives. In only 40 m of water, skilled scuba divers can explore it. But in cold water with low visibility, it is a dangerous dive. In 2009, the year before our survey, six divers had died.

Wednesday, May 1, 2013

Mayday

scan of 'Little Boat, Big Ocean' Fellow printmaker Martha Knox featured my woodblock print 'Little Boat, Big Ocean' on her blog today and wrote a really insightful commentary.

Thanks for all the birthday wishes. I've been blessed with a beautiful day. It was wintry in the past week, but today is early summer. Usually it rains on Mayday.

I got up, cleaned the new floor, that my crazy RJH has been frantically installing in our basement. Dealt with a whole bunch of logistical problems (ranging consulting on calibrating instruments, tracking down addresses for wedding invites, to alerting craft show applicants of their acceptance or rejection from our show). It was another odd geophysicist/printmaker morning. Then my father showed up to take me out for a late lunch, which stretched on for some time. We went to Playa Cabana, a really good Mexican place which you wouldn't expect on a residential street near his new home. He gave me all sorts of books. He said the bookseller said, "Whoever these are for, this is not light reading." It should keep me busy for a while. I eventually returned home and moaned on the couch for a while, having eaten a stupid amount of food. My mother showed up with more gifts (kitchen stuff). My sister-in-law sent me a photo of my nephew with his birthday wishes, which was adorable. I've been fielding calls and messages. Thank you very much everyone. I feel old, but it's a really lovely day.

We're putting off celebrating till next week. We really want to complete the basement, so it'll be more work this evening. I hope you're having a beautiful day too. If you live around here GO OUTSIDE. Right now.

Thursday, February 28, 2013

Quebec

Quebechotel So yesterday, I arrived at my hotel (nice big room, in a strange triangular shape, with exposed brick walls) at around 3:30. After making sure I could find the institute, I wandered the city for a couple of hours. I don't think I've ever been here in winter - just summer and fall. It was actually much warmer than I expected (3oC, but by the water there was a bitter wind). Climbing all the hills made me feel out of shape. It was interesting to see areas of town which overflow with tourists in the summer, empty after about 5 pm. Carnivale is over, so, it's past the winter tourist blitz too. In fact, my friend arrived early at the restaurant and before I could reply to her text, she had found me (since there were so few people around). I had a lovely dinner with my friends and their 5 year old son. It's wonderful to have friends in various cities (especially when one can arrange to meet on short notice). Coincidentally, I knew two of the scientists at the defense today too.

pigeon graflizardgrafitti
hills and wallsabove rampartsseawardiceChateau Frontenaccannons and slidered white blue roofs
lower citylower city
In August, one could barely walk along these streets. It's funny to see them empty.

Today was pretty exhausting; thinking in French, at a high, technical level, all day is really tiring. Not only that, but the scientists spoke different sorts of French (from France, Quebec, Switzerland). They were all very nice and complimented me on my French, but it was sort of funny as people tried to work out how bilingual I am. I was so tired afterwards, that I decided to come to the airport early. It wasn't obvious what I could do with an hour or an hour and a half, with all my bags, and wearing a suit (so I didn't want to tramp through the snow). Then, I left my hat in the cab, but I was able to retrieve it, but finding my cab in line at arrivals. (Luckily for me, this is not a large airport). Also: thumbs up for free wifi at the airport! So I can blog quietly, until they assign my flight a gate.