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| Marie Meurdrac, linocut, 9.25" x 12.5" by Ele Willoughby, 2025 |
This is my hand-printed linocut portrait of Marie Meurdrac (c. 1610-1680), one of the first chemistry textbook authors and the first woman to publish a book on early chemistry. Working right at the transition between alchemy and chemistry, in 1666 she published 'La Chymie charitable & facile, en faveur des dames' (Charitable and easy chemistry for ladies). I selected her for the #printerSolstice2425 prompt sodium, as for her, salt, "the father of generation" was the first of the 3 elements, salt, sulphur and mercury, from which all materials were made.
We do not know a great deal about her life for certain. Born to a land-owning family, in Mandres-les-Roses, now a suburb of Paris, to Vincent Meurdrac or Meurdrat, a notary, and Elisabeth Dove. Her younger sister Catherine, became the author and memoirist with the nom de plume Madame de la Guette. She married a military man. Her sister recorded his name as Monsieur de Vibrac, captain du château de Grosbois, where she moved after her marriage. He was commander of Charles de Valois, Duke of Angoulême (illegitimate son of Charles IX of France)'s guard unit. However the Abbot Sanson recorded that she married Guillaume de Brisset; but this discrepancy might be explained if Guillaume de Brisset succeeded his father Monsieur de Vibrac to both the fiefdom of Vibrac and the captaincy. In any account, living there, she became good friends with Countess de Guiche. She taught herself chemistry following the works and experiments of her contemporaries and reading books on chemistry and alchemy. She had her own lab where she tested all her remedies and recipes. She dared to write a handbook of practical chemistry, which helped popularize the subject throughout Europe, at a time when the very idea of scholarly women was ridiculed in France. The woman question ("la querelle des femmes")- or rather the question of whether women should be educated at all was widely debated. The book is dedicated to the countess; Meurdrac had access to a high temperature furnace which required permission of the king which she might have got thanks to the countess.
Chemistry had long been practiced by women in cooking in the kitchen, in making household remedies and cosmetics, but as sciences became formalized it became a man's world. Meurdrac had been keeping notes of all her experiments so as not to forget her results when she realized she had enough for a book as complete or more so than other available chemistry handbooks. The word “chymie” comes from 16th century Swiss doctor Paracelsus, and following in his tradition, she believed that matter is made of various quantities of 3 elements: salt, mercury, and sulphur, but unlike previous alchemist authors (including those she cites like Raymond Lull and Basil Valentine) her writing is clear and unpretentious rather than obscure. She wants to expose what alchemists would keep a secret for the select few. She omits the astrological conditions so come in alchemical recipes.
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| The Preface from Marie Meurdrac's 'La Chymie charitable & facile, en faveur des dames' complete with her argument "les Esprits n'ont point de sexe" |
She wrote about her uncertainty in daring to publish as a woman, concerned that it might be above her station and knowing that men scorn the products of women's minds but concludes that but minds "have no sex and that if the minds of women were cultivated like those of men, and that if as much time and energy were used to instruct the minds of the former, they would equal those of the latter.” Her words, "les Esprits n'ont point de sexe" appear in my print, as in her book. Knowing that bourgeois or even aristocratic women were denied formal scientific education in universities, she wanted to provide accessible chemistry, botany, pharmacology, medicine, as well as in cosmetics knowledge and hands-on training to women. As women could not legally practice medicine, providing free healing services and lessons was a sort of loophole for her, hence the word "charitable" in her title. She covered items such as lab techniques, properties of medicines, and cosmetics. She also had a table of weights and 106 alchemical symbols that were used in medicine at the time. The jars behind are marked with these symbols. She presents ingredients as "principles" rather than materials, in the manor of the alchemists and describes methods used both by alchemists and early chemists such as distillation, sublimation, rectification, calcination, cohobation and so forth, with specific vessels and fires to be used. She includes recipes which could be found in contemporary chemistry texts such as for Flowers of Bezoin, or Salt of Saturn. Following Paracelsus she writes about plants in medicine, as they believed them superior to other matter, created prior to animals according to Genesis and having survived the great flood. She was wary of using metals in medicine, viewing such treatment as more aggressive. She brought her knowledge to a wide audience, empowering women to make their own remedies and cosmetics safely, for instance, correctly warning of the dangers of using poisonous mercury sublimate to whiten skin as was done at the time.
She is surrounded with books, tools, supplies and plants she would have used including scales, glassware, tongs, and a furnace, inspired by the frontispiece in one of the several editions of her book. The plants are rosemary, which she describes as a universal antidote to all sorts of illnesses, and tansy, used to facilitate childbirth. The book was popular for more than 50 years, with five editions in France, six in Germany, and one in Italy. She encouraged her readers to follow her lead and use their skills to freely treat the poor. Recognizing the cost of materials and tools she offers her readers some more accessible alternative suggestions and offers advice on finding the more rare ingredients. She even offers to answer readers' questions or even make demonstrations in person. Writing about chemistry for women, when it was claimed by men for men, was transgressive, and she defends her ability to do so with her strong feminist argument. She made hands-on training in chemistry, botany, pharmacology, and medicine, as well as in cosmetics accessible to generations of women.
References
Bulletin du bibliophile, Volume 24, Techner, 1859. pp. 252-253
Rayner-Canham, Marelene F.; Rayner-Canham, Marelene; Rayner-Canham, Geoffrey (2001). Women in Chemistry: Their Changing Roles from Alchemical Times to the Mid-twentieth Century. Chemical Heritage Foundation. pp. 4–5. ISBN 9780941901277.
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