Tuesday, June 23, 2015

Koi Tattoo

koi tattoo
my brother's koi tattoo inspired by my linocut

My brother got my koi linocut tattooed on his arm! He has several tattoos. The only other print inspired one is 'The Great Wave off Kanagawa" by Hokusai, so I'm in good company. I always think it's a great compliment. I like how the tattoo artist has reinterpreted he image to suit the medium. My mother will not be happy with either of us, but he's a grown up and I'm flattered.

Wednesday, June 17, 2015

The Keeling Curve, Keeling and the atmospheric CO2 trend linocut

Keeling and the Keeling Curve
Charles David Keeling and the Keeling Curve, linocut 12" x12", 2015 by Ele Willoughby

Sometimes, I take suggestions for prints subjects, especially the scientists series. This is a portrait of American geochemist Charles David Keeling (1928 - 2005) whose decades long observations of carbon dioxide (CO2) in air samples at the Mauna Loa Observatory were some of the first direct data to show the human contribution to the greenhouse effect and global warming. He was suggested for an upcoming Art.Science.Gallery show about climate change. The 'Keeling Curve' shown in copper and red shows both the seasonal variations (the wiggles) and the strong upward trend with time as CO2, a known greenhouse gas (which traps solar radiation), built up in the atmosphere. It turns out this is topical, not only because climate change is always topical, but this week, the American Chemical Society honoured the Keeling Curve as a National Historic Chemical Landmark at a ceremony at Scripps.

After completing his PhD in chemistry at Northwestern in 1954, he did a postdoc in geochemistry at the California Institute of Technology where he developed the first instrument to measure carbon dioxide in atmospheric samples. He then joined the Scripps Institute of Oceanography at UCSD, where he remained for his career, as a professor of oceanography. He had good timing; 1957 - 1958 marked the International Geophysical Year and he was able to get IGY funding to set up a base 3000 m above sea level at the Mauna Loa Observatory in Hawai'i, where he put his CO2 measuring methods to work. He also gathered similar data series at Big Sur, California and in Antarctica. Prior to his studies, scientists believed that CO2 levels were simply variable, without the sort of clear patterns he observed. Between 1958 to 1960, we was able to show the daily pattern of change due to respiration from local plants and soils as well as the seasonal variations in CO2 levels; by 1961 it was clear there was also a strong upward trend in the 'Keeling Curve' which roughly matched the amounts of CO2 released by our own burning of fossil fuels.

The National Science Foundation cut off his funding, arguing that the results were "routine" though they nonetheless used his data to warn of the risk of global warming. He was forced to abandon his studies in Antarctica, but managed to keep the Mauna Loa experiment going. These measurements at Mauna Loa continue to this day and are the longest continuous record of atmospheric CO2. They show a rise of 315 parts per million by volume (ppmv) in 1958 to 401 ppmv as of April 2014 and this increase has been accelerating in recent years with serious implications for climate change.

Due to the seriousness of these data, the National Oceanic and Atmospheric Administration (NOAA) lanunched their own worldwide CO2 monitoring program in the 1970s, including at Mauna Loa, alongside the Scripps experiment. After CD Keeling's death in 2005, the Scripps measuring experiment was taken over by his son, Ralph Keeling, professor of geochemistry.

Keeling received many accolades during his lifetime. In 1986, he was elected a fellow of the American Academy of Arts and Sciences and a member of the National Academy of Sciences in 1994. In 2002 Keeling was awarded the National Medal of Science, the highest award for lifetime achievements in science granted by the US. He received the Tyler Prize for Environmental Achievement for his data collection and interpretation in 2005.

Tuesday, June 16, 2015

Thanks for all the hearts!

I like to take a moment to thank people who leave ♥s every time I reach a milestone. It's quite incredible to me: things from secret minouette places has surpassed 2800 hearts! Thank you very much to the 2812 minouette shop favoriters, 985 Etsy followers, 667 FB fanpage likers, 1391 twitter followers, 3956 pinterest followers, 205 instagram followers, and each of you who read this blog or magpie&whiskeyjack!

I remember reading, years ago, on kozyndan's old blog, that they felt that once you reached a thousand fans - people who would appreciate and purchase your artwork - that you could make a reliable living as an artist. I don't know what the true ratio of ♥s to fans who collect your work might be. Maybe half of the ♥s are people who just want to tell you that they like your style, and want to bookmark your shop, though they never purchase anything. That's still cool and much appreciated! Maybe it's more than half. But once you start to see numbers in the thousands, I think that means you've gotten to the right order of magnitude! Maybe you're only one tenth of the way there, but it's not a hundredth and it might be only a half or closer. Thank you thank you thank you.