Look at the regular icicles hanging from the ropes. For the bottom rope, why are the icicle ends in a horizontal line, as opposed to say, the shape of a catenary, the natural form taken by a rope suspended by its ends? I note the ice build up on top of this second rope... but I do not know the answer to my question. Perhaps I shall play "stump the physicist". I wonder if it's like isostasy. Hmmm....
Tuesday, March 15, 2011
Vessels, ropes & icicles
Been looking at boats again. This was a week ago, in Brampton.


Look at the regular icicles hanging from the ropes. For the bottom rope, why are the icicle ends in a horizontal line, as opposed to say, the shape of a catenary, the natural form taken by a rope suspended by its ends? I note the ice build up on top of this second rope... but I do not know the answer to my question. Perhaps I shall play "stump the physicist". I wonder if it's like isostasy. Hmmm....
Look at the regular icicles hanging from the ropes. For the bottom rope, why are the icicle ends in a horizontal line, as opposed to say, the shape of a catenary, the natural form taken by a rope suspended by its ends? I note the ice build up on top of this second rope... but I do not know the answer to my question. Perhaps I shall play "stump the physicist". I wonder if it's like isostasy. Hmmm....
Friday, March 11, 2011
8.9
I keep checking the news to see updates on the aftermath of the magnitude 8.9 event off Japan's Honshu Island last night (or afternoon locally, 2011 March 11 05:46:23 UTC). The initial estimates of lost of life were far too low for an event of this magnitude which triggered a tsunami. It's beyond Hawaii now, but tsunami warnings were issued throughout the Pacific, including coastal BC. The problem is the nature of the coastline, as people in Port Alberni, where a 1964 tsunami swept away homes and swamped businesses, know well.
Though I don't have any instruments in the water which could sense the wave, at the moment, people still called me at the crack of dawn. I don't envy friends who work in earthquake seismology or in disaster preparedness on days like these.* I'm glad the epicentre was not further south - closer to larger population bases and known significant gas hydrate deposits. There are fears that earthquake shaking could destabilize gas hydrates, which may both hinder slope stability (another tsunami risk) and release large amounts of methane.
*For the most seriously affected people: Médecins Sans Frontières and the Canadian Red Cross can be found at these links.
(figures from Bunting et al., The Science of Tsunamis, Oilfield Review, 2007)
Monday, February 28, 2011
Something Odd & Something for the Animals
Labels:
animals,
dinosaur,
dogs,
etsy,
FARP,
linoleum,
minouette,
multimedia,
printmaking
Sunday, February 27, 2011
Dolly Spectrum
I made a second print of my Dolly-the-cloned-sheep block. I was initially thinking of a multi-colour Dolly print, somewhat in the vein of a Warholesque print at the Year of the Rabbit show. I was a bit worried about borrowing that aesthetic - the balance between a little nudge-nudge-wink-wink allusion and cliché is not easy. I also wanted to communicate a sense of movement to allude to the cloning: one Dolly-two Dolly-three Dolly more... So, after printing Dolly on a number of coloured somegami origami kozo (or mulberry paper) sheets, I switched gears and formulated the rainbow-spectrum plan (ROYGBV). The successive Dollies, from red to violet, are placed at smaller seperations to give that sense of movement, like fanning a deck of cards.
The image is a stitched scan. We figured out how to do this with my new scanner and Photoshop, with some swearing and some laughing, but ultimate success last night. So now, I can scan the rest of my larger prints! Sometimes it pays to be extremely stubborn. ;)
Labels:
colour,
etsy,
linoleum,
minouette,
msoe challenge,
printmaking,
sheep
Saturday, February 26, 2011
Clouds & Hearts
The sheets are 17.5 inches wide by 12.6 inches tall (44.4 cm by 32 cm). The second edition contains 4 prints.
Also, I made it to 900 hearts on etsy today! Yay! I love hearts. I really do. Thanks to everyone who has 'favorited' my shop.
Friday, February 25, 2011
Quail
Sometimes I carve a lino block and it doesn't quite come out how I intended. Sometimes this is great, or interesting, or something I live with. Of course, my own taste is no gauge of what others may like. Today, I editioned my quail block, because Reynardin told me how much she liked it. Maybe it's better than I think it is. Based on comments, though I don't think I captured the quintessential quail movement, I at least caught that funny little head-cocking movement they make.



When I lived on Vancouver Island, I regularly saw families of California Quail, bumbling around, looking somewhat officious, yet completely adorable. This is an original lino block printed quail on cream-coloured Japanese kozo, or mulberry paper, 10.5 inches by 7.75 inches or 26.6 cm by 19.7 cm. It is inked à la poupée which means small areas are inked in different colours, using a single lino block. It is one of a first edition of only 8 prints.
When I lived on Vancouver Island, I regularly saw families of California Quail, bumbling around, looking somewhat officious, yet completely adorable. This is an original lino block printed quail on cream-coloured Japanese kozo, or mulberry paper, 10.5 inches by 7.75 inches or 26.6 cm by 19.7 cm. It is inked à la poupée which means small areas are inked in different colours, using a single lino block. It is one of a first edition of only 8 prints.
Labels:
bird,
etsy,
linoleum,
ornithology,
printmaking,
quail
Flora & Fauna & Type
I was thinking how much I like to combine flora and fauna and type. I've been looking at my existing prints, finishing editions and printing second edtions of things, like my mushrooms. The Méfiez-vous de la contrafaçon print has never been editioned. I've only printed monoprints (artist's proofs), but they've proven popular, so perhaps I should print en entire edition. (It's 8.5 x 11 inches, or 21.6 cm by 27.9, whereas the 'Fly Agaric' is a wee little print at about 3.5 inches by 6.25 inches or 9 cm by 16 cm, inked à la poupée, or with multiple colours on a single block).

Labels:
cat,
fauna,
flora,
linocut mycology,
minouette,
mushroom,
printmaking,
typography
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