Wednesday, February 28, 2024

Mussels and Chitons - New marine invertebrate prints

 Looking ahead to some #InsertAnInvert2024 prompts, I made some linocut marine invertebrates.


Blue Mussel, linocut, 8" x 8" by Ele Willoughby, 2024
Blue Mussel, linocut, 8" x 8" by Ele Willoughby, 2024

The blue mussel (Mytilus edulis), or common mussel, is a medium-sized edible marine bivalve mollusc in the family Mytilidae. They are aptly called common mussels and are found on temperate beaches worldwide. They are also yummy.

A more complicated print is my lined chiton. They are extraordinary wee animals, which come in all sorts of colours. 

Lined Chiton, Linocut, 5" x 7" by Ele Willoughby, 2024
Lined Chiton, Linocut, 5" x 7" by Ele Willoughby, 2024

The lined chiton, Tonicella lineata, is a beautiful, colourful tiny marine mollusc of the North Pacific. Each 5 cm (2") long animal has zigzag purple or black lines on eight valves on a array of different colours like brown, red or burgundy like here but can also be bright blue or yellow to orange with a hairless girdle in colours like brown to red or pink, often with regular yellow or white patches. It is found from the Aleutian Islands of Alaska to San Miguel Island of California, as well as the Sea of Okhotsk of Russia and northern Japan in the intertidal to subtidal waters of 30 to 90 m (100 ft to 300 ft) depth. It's thought their colourful bodies are intended to camouflage against algae. They are prey of the ochre starfish.

Chitons are also sometimes known as sea cradles or coat-of-mail shells or suck-rocks, or more formally as loricates, polyplacophorans, and occasionally as polyplacophores.

Each print is made on 12.7 cm x 17.7 cm (5" x 7") printmaking paper. Because this is a reduction print, after each colour, I carved away more of the block, this is a limited edition of 12 prints. When they are gone, there will be no more originals.


Monday, February 5, 2024

Heart Cockles and Fuchsia Flatworm

 

Heart Cockles, linocut by Ele Willoughby, 2024
Heart Cockles, 6.5" x 8" linocut by Ele Willoughby, 2024 

Was thinking of both the #PrinterSolstice prompt monochromatic and the upcoming #InsertAnInvert2024 prompt infauna for March (shell month) when I made this print... and of course, Valentine's Day.

Corculum cardissa, the heart cockle, is a species of marine bivalve mollusc in the family Cardiidae found in the Indo-Pacific. If viewed from the side, it looks like a heart. There is a lot of colour variation in shells, but they often have patterns in coral pink like those in my print. Interestingly, the shells are translucent in places, allowing light in which benefits its symbiotic relationship with  photosynthesizing  dinoflagellates (zooxanthellae), which live within its tissues. The cockle takes in the dinoflagellates by its mouth. Their presence causes a tertiary series of tubules develop from the walls of the cockle's digestive system which are a safe environment for them to live and photosynthesize, producing metabolites which help the cockle.

The next #PrinterSolstice prompt was split complimentary and it lead me to another #InsertAnInvert2024 prompt. To make a split complimentary colour, choose two complimentary colours, like yellow and purple, and replace the second colour by the two colours adjacent to it on the colour wheel - fuchsia and indigo.

Fuchsia Flatworm, linocut by Ele Willoughby, 2024
Fuchsia Flatworm, linocut by Ele Willoughby, 2024

One of the suggested #InsertAnInvert2024 organisms is the strange and beautiful fuchsia flatworm (Pseudoceros ferrugineus) with its gorgeous aposematic colours, a warning to predators that it's not worth the trouble to try and eat. A flexible ruffled oval creature it is a little hard to capture but it does indeed have a split complementary colour scheme. It crawls around eating on the reefs of the Indo-Pacific without any fear of predators.

Friday, February 2, 2024

Annie Jump Cannon, Census Taker of the Sky

Annie Jump Cannon, 11" x 14" linocut by Ele Willoughby, 2024
Annie Jump Cannon, 11" x 14" linocut by Ele Willoughby, 2024

I knew the #PrinterSolstice prompt "spectrum" called for another scientist portrait!

My hand printed lino block portrait of trailblazing American astronomer Annie Jump Cannon (December 11, 1863 – April 13, 1941) shows her with her stellar classification system which sorted stars based on spectral types and turned out to reveal their temperature from hot blue stars through cool red stars into O,B,A, F, G, K and M, as shown on the Hertzsprung-Russell diagram behind her. Along with her supervisor Edward C. Pickering, she is credited with the creation of the Harvard Classification Scheme, the first serious stellar classification scheme. The name, citing Harvard rather than Cannon herself, who still lacked a university appointment, makes her achievement less visible than it might have been.

The eldest of three daughters of Delaware shipbuilder and state senator Wilson Cannon and his second wife Mary Jump, Annie was born in Dover, Delaware. Her mother taught her the constellations, home economics (and the organization skills she would later need) and encouraged her to pursue her own interests. Annie and her mother used old astronomy textbooks to identify stars they could see by climbing out a trapdoor onto their roof. She studied mathematics, chemistry, and biology at Wellesley College, a top school for women, where she excelled at math. She studied physics with Sarah Frances Whiting, one of the few US women physicists at the time, and became the valedictorian. She graduated with a degree in physics in 1884 and returned home to Delaware. Over the next decade she studied the new art of photography, photographing her travels through Europe with her Blair box camera. The Blair company published her photos and prose about Spain, "In the Footsteps of Columbus" and distributed it as a souvenir at the Chicago World's Columbian Exposition of 1893.

A cheerful and energetic person, she lost most of her hearing as a young adult, possibly due to scarlet fever. She found it made it hard to socialize. Then her mother died in 1894, which made family life difficult too. She wrote Sarah Frances Whiting seeking a job and was hired as a junior physics teacher, which allowed her to take graduate physics and astronomy classes and study spectroscopy on her own. She gained access to a better telescope by enrolling in Radcliffe College (a women's college affiliated with Harvard) in 1894 as a "special student" which allowed her to use the he Harvard College Observatory. Harvard astronomer Edward C. Pickering hired her as his assistant in 1896. He was running a program to map and catalogue every visible star in the sky to a photographic magnitude of about 9 (16 times fainter than visible by human eye alone) to complete the Henry Draper Catalogue, a research program fund by the widow of a wealthy physician and amateur astronomer. He hired men to do the physical jobs of operating heavy telescopes and making photographs. He hired and supervised a group of women (whom he could pay as little as 25 cents an hour to work seven hours a day, six days a week) known as the Harvard Computers to do examine data, do calculations and catalogue photos - work he did not deem proper scientific analysis. Though hired as mere "computers" this team included such astronomy luminaries as Cannon, Henrietta Swan Leavitt, Williamina Fleming and Antonia Maury who made important advancements in the field. Pickering wanted the optical spectra of as many spectra as possible with the goal of indexing and classifying stars by spectra. The Draper Catalogue became an indispensable tool for astronomers.

Cannon worked at the Observatory until 1940. In her first three years, she classified 1000 stars. By 1911 she was made the Curator of Astronomical Photographs at Harvard and by 1913 she had learned to accurately classify 200 stars an hour! She published her first star catalogue in 1901. She finished her studies at Wellesley and was awarded a master's in 1907. In 1927, Pickering  said "Miss Cannon is the only person in the world—man or woman—who can do this work so quickly," about her skills in star classification.

The classification work was begun by Nettie Farrar, but she left the Observatory after a few months to get married. Antonia Maury (the first person to detect an calculate the orbit of a spectroscopic binary, and Draper's niece) took over. She insisted on a complex scheme, to the dismay of project manager Williamina Fleming (who catalogues ten thousand stars, 59 gaseous nebulae, over 310 variable stars, 10 novae and other astronomical phenomena including discovering the Horsehead Nebula) who wanted a simpler scheme. Cannon negotiated a compromise, applying a scheme dividing of stars into the spectral classes O, B, A, F, G, K, M, based on the Balmer absorption lines of hydrogen. Later when the scheme was understood to reflect stellar temperatures her initial sequence of the classes was reordered to go from hot to cold.

Cannon excelled at the work thanks to her organizational skills and patience with the tediousness of the work. Her calm, friendly and hardworking personality lead her to a sort of ambassador-like role, brokering exchanges of equipment between male colleagues.  Nicknamed "Census Taker of the Sky,"  she catalogued an estimated  350,000 stars, more than any other person. She also discovered 300 variable stars, five novas, and one spectroscopic binary.

In 1914, she was admitted as an honorary member of the Royal Astronomical Society. Awarded an honorary doctor's degree in math and astronomy from Groningen University in 1921, she became one of the first women to receive an honorary doctorate from a European university. On May 9, 1922, the International Astronomical Union passed the resolution to formally adopt Cannon's stellar classification system. With minor changes (to include intensity as well as temperature) Annie Jump Cannon's classification system is still in use today. She got the opportunity to spend six months in Arequipa, Peru, photographing stars in the Southern hemisphere. In 1925 she became the first woman to receive an honorary science doctorate from Oxford and was elected to the American Philosophical Society. In 1929 she chosen as one of the "greatest living American women" by the League of Women Voters. In 1931, she was the first woman to win the Henry Draper Medal. In 1932 she won the Ellen Richards prize from the Association to Aid Scientific Research by Woman. She represented professional woman at at the World's Fair in Chicago in 1933. She became the William C. Bond Astronomer at Harvard University in 1938.

Cecilia Payne (later Payne-Gaposchkin) used Cannon's data to show that stars are mainly composed of hydrogen and helium.

Cannon retired in 1940 but kept working at the Observatory until a few weeks before she died at 77. Her work helped women gain acceptance and respect in the field. A dedicated suffragette she was also a member of the National Women’s Party. As The Woman Citizen’s noted in 1924, despite her achievements “The traffic policeman on Harvard Square does not recognize her name. The brass and parades are missing. She steps into no polished limousine at the end of the day’s session to be driven by a liveried chauffeur to a marble mansion.” But her legacy lives on in the discoveries she made, the classification system she developed, and the trail she blazed for women in astronomy. In 1935 she created the Annie J. Cannon Prize, awarded by the American Astronomical Society, for "the woman of any country, whose contributions to the science of astronomy are the most distinguished." The first recipient became the first woman full professor of astronomy at Harvard: Cecilia Payne-Gaposchkin. Like her mother before her, and her first physics professor Sarah Frances Whiting, Annie was able to mentor and promote the next generation of women astronomers. Payne-Gaposchkin wrote in Science, upon her death, “On the thirteenth of April, 1941, the world lost a great scientist and a great woman, astronomy lost a distinguished contributor and countless human beings lost a beloved friend by the death of Miss Annie J. Cannon.” Harlow Shapely, Directory of the Harvard Observatory wrote, “Her official position at the Harvard Observatory was the William Cranch Bond Astronomer and Curator of the Photographic Collection. Her unofficial position was dean of women astronomers of the world and a leading and most honored woman scientist.”

 

References

Annie Jump Cannon, wikipedia, accessed February 2024 

Christ, Marian., Annie Jump Cannon, American Philosophical Society, January 16, 2022.

Geiling,  Natasha., The Women Who Mapped the Universe and Still Couldn’t Get Any Respect, Smithsonian Magazine, September 18, 2013

Murphy, Norah M., Eyes to the Sky: Annie Jump Cannon and the Harvard Observatory, The Harvard Crimsom, May 5, 2017

Stellar classification, wikipedia, accessed February 2024